When the rooster jumps up on the windowsill
and spreads his red-gold wings,
I wake, thinking it is the sun
and call Juanita, hearing her answer,
but only in my mind.
I know she is already outside,
breaking the cane off at ground level,
using only her big hands.
I get the machete and walk among the cane,
until I see her, lying face-down in the dirt.

Juanita, dead in the morning like this.
I raise the machete—
what I take from the earth, I give back—
and cut off her feet.
I lift the body and carry it to the wagon,
where I load the cane to sell in the village.
Whoever tastes my woman in his candy, his cake,
tastes something sweeter than this sugar cane;
it is grief.
If you eat too much of it, you want more,
you can never get enough.

Florence Ai Ogawa (born Florence Anthony; October 21, 1947 – March 20, 2010) was an American poet and educator who won the 1999 National Book Award for Poetry for Vice: New and Selected Poems. Ai is known for her mastery of the dramatic monologue as a poetic form, as well as for taking on dark, controversial topics in her work. About writing in the dramatic monologue form, she’s said: “I want to take the narrative ‘persona’ poem as far as I can, and I’ve never been one to do things in halves. All the way or nothing. I won’t abandon that desire.”
Copyright Credit: Ai, “Cuba, 1962” from Vice: New and Selected Poems. Copyright © 1973 by Ai. This selection may not be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior written permission of the publisher.